Thursday, January 15, 2009

The Evolution of Audrey

For my Research & Writing class that is tied to my thesis project, I was required to write an "inspiration paper" that explained my personal motivation for choosing the project that I did. As I was trying just now to get myself a little more organized, I came across this paper. I read it, and I liked it, so I thought I'd share it here. If you wonder what I'm spending most of my time doing these days, this is it.
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The inspiration for my thesis project is a product of the evolution that has taken place within me, during my three-plus years at Marylhurst. I like to call this “The Evolution of Audrey.” I think it all began when I was first exposed to Samuel Mockbee and Auburn University’s Rural Studio, at the end of my first year. I was literally moved to tears by Mockbee and this program, and suddenly my eyes were open to the power that designers have to affect change—to make a difference. While I can look back at this moment as a very poignant one, “The Evolution of Audrey” was still a slow process. Gradually my beliefs about design and my yearning to be involved in something meaningful chipped away at my aspiration to be a designer, until last spring in Rome when it all came to a head, changing my life, forever. I began to look very critically at design and architecture, and its purpose. I began to wonder, “What is the point of all this?” At the same time, I was discovering that I felt much more passionately about writing than I did about designing.

What it has come down to is this, my personal manifesto: I believe that in many ways, design is far too full of superficiality and ego. This is a hard pill for me to swallow, and one that I vow not to participate in. I believe in the “other side” of design and designers. I believe in the principle that spaces affect people, and that design can be used as a vehicle to help people and to affect change within social constructs. I believe that all people should have the opportunity to occupy spaces that make them feel dignified. I believe that all people should have the opportunity to occupy spaces that are actually designed. I believe in designing from a place of heart, not a place of ego.

As I began to put these two key pieces together (the fact that I want to write and my desire to explore ethics and social justice in design), my project idea started to take shape. After many discussions in class and with advisors, it became clear that the purpose and content of my project would likely become watered down if I were to simply complete an interior design project. Therefore it was proposed that I do something revolutionary by not designing a space for my thesis project.

Being in the position of charting new territory is a rather comfortable place for me to be. I have never been satisfied with simply doing what everyone else does, nor with floating through life without making waves. It is in my nature to be a wave-maker. I like to present ideas that actually make people think, in a way that they may never have thought before. I am looking at my thesis project as my opportunity to do something that is personally fulfilling to me. Not only does it fulfill my desire to bring awareness and exposure to an often forgotten aspect of design, but also it acts as my foray into the world of being a writer. This is my chance to spend nine months (and likely more) of my life creating something that I can say with confidence and integrity, is a proper reflection of me, and what I am about. Anything else simply would not do.

2 comments:

Abbie said...

Audrey,
I stumbled across your blog through my daily google alert for "Rural Studio". I finished my thesis project out there in June and have been working in a traditional firm setting ever since. I have asked myself similar questions about the ethics of design over and over again. I'm interested to see what you discover through your thesis work.
-Abbie

Unknown said...

Audrey_

Abbie directed me here and says you will be coming to the Rural Studio soon? I am currently the Clerk of the Works of the Rural Studio, a sufficiently ambiguous title with a sufficiently ambiguous job description. Previous to that I was a thesis student and a second year student. If you have any questions or need any information, let me know!

Lindsay Butler
butleli@auburn.edu